Jude Traxler

Composer | Percussionist | Educator

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    • About Jude Traxler
    • About Music
  • Works
    • Complete Catalog
    • Solos
    • Duets
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  • Projects
    • Echo Artifact
    • futureCities
    • Dead Resonance
    • The Knells
    • The LINKS Series
  • Recording(s)
    • Cat Crisis Records
    • Bourbon Thomas Records
    • Traxler Studios (NYC)
    • MSM Recording Studio
  • Teaching
    • MSM Percussion Ensemble
    • LMC 896
    • Traxler (Teaching) Studios
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Bourbon Thomas Records

Producing experimental contemporary works with a rock aesthetic. New York City.

Left to Lose – Echo Artifact (2020)

Echo Artifact’s third concept album on the art of becoming.

Al Cerulo, Greg Chudzik, Jude Traxler

in Bourbon Thomas Records, Traxler Studios (NYC).

Anywhere But Here – Anne Rainwater (2020)

Anne Rainwater plays my works for solo piano – some acoustic, some electric, featuring futureCities.

in Bourbon Thomas Records, Traxler Studios (NYC).

Amplified Perception – Al Cerulo (2019)

Performed and commissioned by Al Cerulo, Amplified Perception is an evening of new works for single solo percussion instruments with electronic enhancement featuring compositions by Eve Beglarian, Randy Gibson, Paula Matthusen, Mathew Rosenblum, and Jude Traxler.

in Bourbon Thomas Records, Traxler Studios (NYC).

Partials – Echo Artifact (2018)

Echo Artifact’s sophomore stint on the tension of wanting.

Greg Chudzik, Al Cerulo, Jude Traxler

in Bourbon Thomas Records, Traxler Studios (NYC).

CPU (EP) – Echo Artifact (2016)

CPU (a post-apocalyptic electronic opera for the end of the world, in one act.)

An original story told in fourteen songs.

in Bourbon Thomas Records, Traxler Studios (NYC).

Elias Howe School – PS 51 Musicians (2014)

Recorded, engineered, mixed and mastered at Traxler Studios (NYC) under the direction of PS51 music teacher, Katie Traxler.

in Bourbon Thomas Records, Traxler Studios (NYC).

Remember & Crossings (EP) – SSS (2010)

Stuart and I met in June of 2007. After many years of discussing the lack of finesse and musicality in “electronic” music, we collaborated on a structure of graphic notations and electron manipulations. The result – a romp of improvisatory electro-acoustic drumming and an iPod on shuffle.

in Bourbon Thomas Records, Solos, Traxler Studios (NYC).

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