My solo, Revolver, reversed, then fed through the machine backwards one section at a time is Revlover [REMIX]. Think ‘Memento’ for your ears.

If you hear something repeated long enough, you’ll eventually start to believe it – no matter how absurd.

The construction vehicles in Harlem emit this wild, bending pitch – especially in the wee hours of the morning. This was my rebuttal.

Excerpt from ‘Litany for the Whale’, a play by Matt Wilson
With the Sister Sylvester Theater Company
Kathryn Hamilton, Director

As part of Mantra Percussion’s Holiday album, “Mantratron Saves Christmas”, I rewrote my mom’s favorite holiday jingle with broken microphone cables and pennies taped to glockenspiel bars.

Remix of a favorite track of mine, Hurt, by Nine Inch Nails. Featuring Erin Frith.

A remix (and final installation) of my piece the Black Brave Ocean.

For my wife, Katie, at Christmas. Featuring Kjersti Kveli.

In 2009, I built a homemade audio slicer that cleverly manipulates any audio track it receives. It quickly thereafter become one of my favorite musical robots. This is a short preview of trax_sequencer1 randomizing Erin Frith singing Hurt, by Nine Inch Nails.

75 excerpts from 75 different pop tunes – slammed together to tell the haunting poetry of Keeley Kristin.

My first stint composing for the robots in MAX/MSP. Xenakis, meet Ligeti, meet my new friend, MAX.