Reunion – Stanley Leonard (2012)
Featuring Tempus Fugit Percussion Ensemble playing with Hamirüge, the Louisiana State University Percussion Group.
Discography / Audio Engineering / Media Production
traxlerstudios.com
Featuring Tempus Fugit Percussion Ensemble playing with Hamirüge, the Louisiana State University Percussion Group.
The Foundry Steel Pan Ensemble plays Andy Akiho’s “Alloy” in a warehouse in downtown Los Angeles. We were in town for a performance with the LA Philharmonic as part of the Green Umbrella Series.
Includes a prerelease of my track, The Black Brave Ocean, for six pianos – performed by Chemorocket and futureCities (Brett William Dietz, Anne Rainwater & Jude Traxler).
Based on 21 chords, the Black Brave Ocean evolved into 5 installations – individual compositions that are, ostensibly, bad copies of bad copies, creating structural and tonal variations that eventually collapse into a series of theatrical games and concluding with no performers at all through audio playback.
Playing, recording and engineering great percussion music by David Stock, featuring Brett William Dietz and the LSU percussion group, Hamirüge.
Stuart and I met in June of 2007. After many years of discussing the lack of finesse and musicality in “electronic” music, we collaborated on a structure of graphic notations and electron manipulations. The result – a romp of improvisatory drumming and an iPod on shuffle. Check out the overhead cam from the studio recording with Dustin Cicero at Manhattan School of Music in 2010.
Stuart and I met in June of 2007. After many years of discussing the lack of finesse and musicality in “electronic” music, we collaborated on a structure of graphic notations and electron manipulations. The result – a romp of improvisatory electro-acoustic drumming and an iPod on shuffle.
My recording of SSS’s vibraphone solo, Links No. 7 (New England Night Weave), for New World Records.
Featuring the percussion styling of Hamirüge, the Louisiana State University Percussion Ensemble.
Engineering, Mixing and Mastering done at Cat Crisis Records, Baton Rouge, Louisiana.
The birth of Cat Crisis Records – recording, engineering and mastering Brett Dietz’s insanity at the LSU School of Music Recording Studio for his deeply introspective opera, Headcase.