Performing and recording multiple tracks on a four-disc set of SSS’s definitive works, released on Navona Records (2017).
Traxler Studios (NYC) mixed and mastered Timber LIVE @ the 2014 Bang on a Can Marathon, Winter Garden, NYC. Released with Michael Gordon’s Timber Remixed, an A-list of experimental electronic artists on Cantaloupe Records (2016).
Andy Meyerson “performs” my work, Structural Harm. Created at Traxler Studios (NYC), August 2015 for Slashsound Records.
for two percussionists: four toms and two glockenspiels with live-triggered audio and video playback.
Each drum has a trigger. Each trigger opens a gate. Each gate turns up the volume on a playing audio track. It’s like punching holes in controlled static. Written for Michael Garcia.
CPU (a post-apocalyptic electronic opera for the end of the world, in one act.)
An original story told in fourteen songs.
We tracked great music by Jenny Olivia Johnson at Octaven Studios in Yonkers, NY for Innova Records.
for solo percussion and live-triggered audio playback.
Each drum has a trigger. Each trigger opens a gate. Each gate turns up the volume on a playing audio track. It’s like punching holes in controlled static. Written for Joseph Van Hassel.
Mantra Percussion & Jamie Jordan perform, The Days Are Nouns, for Paula Matthusen’s album, Pieces for People (2015). Recorded and mixed at Traxler Studios (NYC) for Innova Records.
Live performances of works not written by me.
Videos of Mantra Percussion.
Mantra Percussion and Ian Williams perform Public Transaction on the 2015 Ecstatic Music Festival.
Mantra plays Michael Gordon’s Timber at the 2015 Beyond Microtonal Music Festival.
Mantra Percussion and Flux Quartet premiere Mathew Rosenblum’s Ostnatia runda at the 2015 Beyond Microtonal Music Festival.
Al Cerulo and Jude Traxler play a workshop version of Mantra’s new work with composer / guitarist Ian Williams.
CPU (A post-apocalyptic electronic opera for the end of the world, in one act.)
‘Imagine the prison of repetition
A pitch-perfect perpetual misery
Awaiting each player ignition
Is a blanket of unusable memory’
Joey Van Hassel performs Stuart Saunders Smith’s new glockenspiel solo, On: Empty, for his album, Correlates (2014). Recorded, mixed and mastered at Traxler Studios (NYC) for Soundest Recordings.
Performance videos of the Knells.
Performance videos of futureCities (Anne Rainwater & Jude Traxler).
for violin and piano.
Written for Two Blind Mice (Anne Rainwater & Rick Shinozaki).
Recorded, engineered, mixed and mastered at Traxler Studios (NYC).