Left to Lose – Echo Artifact (2020)
Echo Artifact’s third concept album on the art of becoming.
Al Cerulo, Greg Chudzik, Jude Traxler
For these things that can be told / until mystery becomes elegy – Paula Matthusen (2020)
Al Cerulo performs Paula Matthusen’s work for solo vibraphone and live electronics. Commissioned for his solo project, Amplified Perception, Cerulo controls resonator microphones and feedback transducers via a MAX/MSP patch in real time to a custom 6-channel output.
Anywhere But Here – Anne Rainwater (2020)
Anne Rainwater plays my works for solo piano – some acoustic, some electric, featuring futureCities.
silence is not a transition – Dead Resonance (2020)
Dead Resonance’s debut album released on Cat Crisis Records.
Brett Dietz, Chad Heiny, Joe W. Moore III, Jude Traxler
Songs I-IX – Stuart Saunders Smith (2019)
My video recording of SSS’s famed work for actor/percussionist, Songs I-IX, from the composer’s box-set release of his percussion music on Chen Li Music (2020).
Sharpened Stick – Tempus Fugit (2019)
Tempus Fugit reunites to record Brett Dietz’s seminal work, Sharpened Stick, on its 20th anniversary.
With Age Comes – Tempus Fugit (2019)
Tempus Fugit performs a movement Brett Dietz’s new quintet, With Age Comes, at the LSU percussion studio in Baton Rouge, Louisiana.
silence is not a transition – Dead Resonance (2019)
Based on a Feldman melody, Dead Resonance’s title track for their debut album, silence is not a transition, is a mobile of self-composed melodic fragments.
Neither / Either (2019)
for solo piano
Neither / Either is stripped from my quintet, Math Metal Meth Mouth, verbatim.
Written for my good friend, Anne Rainwater.
Math Metal Meth Mouth [M5] (2019)
quintet for four percussion and piano
Based on the breaking down of chemical compounds in the collective and individual.
Written for Dead Resonance and Anne Rainwater
Partials – Echo Artifact (2018)
Echo Artifact’s sophomore stint on the tension of wanting.
Greg Chudzik, Al Cerulo, Jude Traxler
Songs from the Infinite Plan – Brett William Dietz (2018)
Excerpts from Dietz’s collection of 15 intermediate mallet duets. Recorded at Louisiana State University.
Spiritual Gifts – Joe W. Moore, III (2018)
Joe Moore pens a beautiful collection of Bible-referenced miniatures for percussion quartet. Performed by the composer’s own group, Dead Resonance.
Canon Fodder – Chad Heiny (2017)
Chad Heiny’s work, Canon Fodder, was the first piece we tracked for Dead Resonance’s album, silence is not a transition. Fun times with a lot of drums.
Origin of Savagery – Brett William Dietz (2017)
Dead Resonance records Dietz’s Origin of Savagery – written for the group’s debut album, “silence is not a transition”.
Timber Remixed – Michael Gordon & Mantra Percussion (2016)
Traxler Studios (NYC) mixed and mastered Timber LIVE @ the 2014 Bang on a Can Marathon, Winter Garden, NYC. Released with Michael Gordon’s Timber Remixed, an A-list of experimental electronic artists on Cantaloupe Records (2016).
My Side of the Story – Andy Meyerson (2016)
Andy Meyerson “performs” my work, Structural Harm. Created at Traxler Studios (NYC), August 2015 for Slashsound Records.
Fourfold – Dead Resonance (2016)
Dead Resonance started as a remote composition project between Brett Dietz, Chad Heiny, Joe W. Moore III, and Jude Traxler. Fourfold is our “quadruple-music”.
CPU (EP) – Echo Artifact (2016)
CPU (a post-apocalyptic electronic opera for the end of the world, in one act.)
An original story told in fourteen songs.
Don’t Look Back – Jenny Olivia Johnson (2015)
We tracked great music by Jenny Olivia Johnson at Octaven Studios in Yonkers, NY for Innova Records.