The Paha Sapa Give-Back – Jerome Kitzke (2014)
Playing Jerome Kitzke’s powerful work, Paha Sapa Give-Back, with Mad Coyote at Kaleidoscope Studios (NJ) for Innova Records.
Playing Jerome Kitzke’s powerful work, Paha Sapa Give-Back, with Mad Coyote at Kaleidoscope Studios (NJ) for Innova Records.
Scratchtracks: The Music of Jude Traxler (2014)
Featuring Brett William Dietz with Chemorocket and futureCities
Performing Links No. 4 (Monk), by Stuart Saunders Smith @ the Percussive Arts Society International Convention in Indianapolis – November 14, 2013.
Future In Reverse Ensemble playing at a gala event honoring playwright Henry Hwang at Signature Theater. Flow, by Huang Ruo.
NYC new music supergroup, The Knells, releases Andrew McKenna Lee’s concept album of the same name on the New Amsterdam label.
I’m slowly making my way through the entire LINKS Series of Vibraphone Essays: a continuous masterpiece of 11 vibe solos by the legendary Stuart Saunders Smith. Keep an ear out – I’ll be performing the entire 2-hour throwdown (from memory) before it’s all over…
Brett Dietz’s solo glockenspiel album that includes my solo, Revolver, for glockenspiel and 6-channel delay.
From my original opera, CPU (2015)
From my original opera, CPU (2015)
From my original opera, CPU (2015)
From my original opera, CPU (2015)
From my original opera, CPU (2015)
A six-piece suite (in progress) for solo keyboard and 6-channel playback where the end of one piece begins the next. All tunes are based on transcriptions of some of the most influential songs in my life from the pop idiom.
From my original opera, CPU (2015)
for solo glockenspiel and 6-channel delay.
Glock and computer outputting directional delay lines through speakers placed around the audience. Based on music by Rage Against the Machine. Written for Brett William Dietz.
My solo, Revolver, reversed, then fed through the machine backwards one section at a time is Revlover [REMIX]. Think ‘Memento’ for your ears.
for any keyboard instrument and six audio playback devices.
For soloist speaking and performing with offstage piano and six-channel audio playback devices surrounding the audience. Based on music and text by Jeffrey Moreira & Poison the Well. Written for Daniel Heagney & Anne Rainwater.
From my original opera, CPU (2015)
From my original opera, CPU (2015)
From my original opera, CPU (2015)